Bavarian Radio Symphony Orchestra, Mariss Jansons, conductor Symphony No. 104 originated at the beginning of 1795 in London and is the last of the symphonies Haydn composed; Haydn himself noted on the title page of the handwritten score: The 12th which I have composed in England. Its first performance took place in the scope of a benefit concert which Haydn gave on 4 May 1795 in London; it was a component of the programme of the final Salomon Concerts in London in May-June, 1795, before Haydn returned to Vienna and Eisenstadt. Consequently, Symphony No. 104 is not only the crowning of the London Symphony series, but of all of Haydns symphonic work. It is the sum of Haydns compositional skill not only in regard to counterpoint, but also in the capacity typical of Haydn to harmonise contrapuntal brilliance with a popular musical idiom. The slow introduction, starting in fortissimo in a fanfare-like motive, ushers in an allegro of the greatest density of thematic dovetai
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