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Camera Movement Cheatsheet (Shot List) ►► The Ultimate Guide to Camera Movement ►► The Whip Pan ►► The Dolly Zoom Effect ►► Tracking Shots in Film ►► Chapters: 00:00 Camera Movement Techniques 01:18 Static Shots 03:12 Pan 03:55 Whip Pan 05:11 Tilt 07:07 Push In 09:05 Pull Out 10:24 Zoom 11:55 Crash Zoom 12:50 Dolly Zoom 15:36 Camera Roll 17:43 Tracking 19:25 Trucking 20:40 Arc 22:47 Boom 24:23 Random Movement 26:27 Camera Movement Exercise: Star Wars Scene 28:05 Final Takeaways Camera movement is a surefire way to amplify your visual storytelling. Whether you opt for a dolly shot, a tracking shot, or decide to go handheld, a simple scene can turn into an electrifying moment. In this video essay, Episode 6 of The Shot List, we’re going to cover every type of camera movement in film. From the storytelling value of each camera movement to the camera movement techniques necessary to pull them off. First up is the static shot — the absence of camera movement. Static shots are perfect for dialogue scenes or when you want to showcase the actor’s performance. A pan shot is a go-to when you want to reveal context, setting, or even build suspense. A whip pan can be a dynamic way to transition between characters in a scene or between different scenes. The tilt is a camera movement typically used to introduce characters or show the size and scope of a location. Pushing the camera in or pulling out are camera movements designed to either connect or disconnect the audience to a character or a situation. A zoom shot is not technically a camera movement because it is a function of the lens magnifying or de-magnifying the image. But when you combine it with a dolly camera movement, you can create a striking and cinematic camera movement called a dolly zoom. The dolly zoom effect compresses or stretches the background around the subject for an evocative and powerful camera shot. When a camera rolls, the world is literally turned upside down. Tracking shots will lead or follow the subject and can be utilized in any number of situations. When the camera follows parallel to the subject, it is known as trucking. When the camera movement surrounds the subject to make them feel surrounded or perhaps heroic, you’ve got yourself an arc shot. A boom shot is a vertical camera movement, which can be subtle or grand like a crane shot. The final camera movement is handheld with random shake and/or seemingly arbitrary zooms. When you’re going for documentary realism, this is the ideal approach to camera movement. #FilmTheory #VideoEssay #Filmmaking — Music by Artlist ► Music by Artgrid ► Music by Soundstripe ► Music by Music Vine ► Music by MusicBed ► — SUBSCRIBE to StudioBinder’s YouTube channel! ►► Looking for a project management platform for your filmmaking? StudioBinder is an intuitive project management solution for video creatives; create shooting schedules, breakdowns, production calendars, shot lists, storyboards, call sheets and more. Try StudioBinder for FREE today: — Join us on Social Media! — Instagram ►► Facebook ►► Twitter ►►
