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Poor Theater and Theater of the Oppressed were two sort of concurrent movements that shared some of the same aims. Jerzy Grotowski's Poor Theater eschewed the use of lighting, props, costumes, makeup, and many of the other trappings of “rich“ theater. Augusto Boal's Theater of the Oppressed in Brazil challenged the ideas of how plays were written and performed, and blurred the lines between actors and audiences. Crash Course is on Patreon! You can support us directly by signing up at Thanks to the following Patrons for their generous monthly contributions that help keep Crash Course free for everyone forever: Eric Prestemon, Sam Buck, Mark Brouwer, Bob Doye, Jennifer Killen, Naman Goel, Patrick Wiener II, Nathan Catchings, Efrain R. Pedroza, Brandon Westmoreland, dorsey, Indika Siriwardena, James Hughes, Kenneth F Penttinen, Trevin Beattie, Satya Ridhima Parvathaneni, Erika & Alexa Saur, Glenn Elliott, Justin Zingsheim, Jessica
