Translation of L.F.'s comments at the end: What interests me is considering sound in a new way, and a new way of creating it which resembles what we did 50 years ago, as in musique concrete or electronic music. Finally, men like Otomo Yoshihide... when I heard him the first time, I knew he was someone who could understand musique concrete. He was making music that was concrete, but indirect -- what we were doing in the studios 50 years ago.
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