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An experimental documentary, The Lanthanide Series examines the materiality of the digital world, combining approaches of non-fiction narrative essay, abstract visual and sound exploration, and the history of black mirrors. Each chapter of the film is based on one of the fifteen metallic chemical elements of the periodic table, referred to as the rare-earth metals or the Lanthanide series. Exploring the historical connection between science, art, politics and poetry, the film is a deeply original work, which wittily exploits the freedom of art to suggest hitherto unimagined relations. Most of the film was shot in reflection of a defunct iPad—the black mirror of our times— providing unusual optical illusions, including in-camera split screens and the doubling of images. The piece is a meditation on how technology has been shaping the way we see the world, how we record the present and replay the past.
