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Потрясающая СМУГЛЯНКА на осенней улице Бреста! А солисточка - просто талант! Кавер-версия является частным случаем ремейка (любого нового варианта произведения). Исполнение кавер-версии может содержать элементы оригинальной музыкальной композиции, на которую накладываются элементы новой музыкальной аранжировки. Сборник, полностью состоящий из кавер-версий песен одного исполнителя или группы, называется трибьютом (от англ. Tribute — дань, дар). Кавер-версия (cover version, от англ. cover — покрывать) — авторская музыкальная композиция (часто известная) в исполнении другого музыканта или коллектива. Нередко кавер-версия может дать новую жизнь той или иной композиции, самой по себе уже устаревшей или непопулярной. Артист или группа, специализирующаяся на исполнении кавер-версий, называется кавер-исполнителем или кавер-группой, а группа, специализирующаяся на исполнении произведений одного коллектива — трибьют-группой. The term “cover“ goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. The Chicago Tribune described the term in 1952: “trade jargon meaning to record a tune that looks like a potential hit on someone else's label“. Examples of records covered include Paul Williams' 1949 hit tune “The Hucklebuck“ and Hank Williams' 1952 song “Jambalaya“. Both crossed over to the popular Hit Parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a copy of the sheet music, learned by heart or captured on a gramophone record. In fact, one of the principal objects of publishing sheet music was to have a composition performed by as many artists as possible. In popular music, a cover version, cover song, or simply cover, is a new performance or recording by someone other than the original artist or composer of a previously recorded, commercially released song. Before the onset of rock 'n' roll in the 1950s, songs were published and several records of a song might be brought out by singers of the day, each giving it their individual treatment. Cover versions could also be released as an effort to revive the song's popularity among younger generations of listeners after the popularity of the original version has long since declined over the years. On occasion, a cover can become more popular than the original, such as Elvis Presley's version of Carl Perkins' original “Blue Suede Shoes“, Santana's 1970 version of Peter Green's and Fleetwood Mac's 1968 “Black Magic Woman“, Johnny Cash's version of Nine Inch Nails' “Hurt,“ Whitney Houston's versions of Dolly Parton's “I Will Always Love You“ and of George Benson's “The Greatest Love of All“, Glenn Medeiros's version of George Benson's “Nothing's Gonna Change My Love for You“ or Jimi Hendrix's version of Bob Dylan's “All Along the Watchtower“. The Hendrix recording, released six months after Dylan's original, became a Top 10 single in the UK in 1968 (US number 20) and was ranked 48th in Rolling Stone magazine's 500 Greatest Songs of All Time. Another famous example is the Beatles' cover of “Twist and Shout“, originally by the Top Notes, and their cover of the song, “Til There Was You“, by Meredith Willson, among many others. Cover acts or bands are entertainers who perform a broad variety of crowd-pleasing cover songs for audiences who enjoy the familiarity of hit songs. Such bands draw from current Top 40 hits and/or those of previous decades to provide nostalgic entertainment in bars, on cruise ships and at such events as weddings, family celebrations and corporate functions. I Brest er hovedgatescenen Sovetskaya Street. Mange forskjellige musikere samles stadig der. Starter fra halvdrykk gitarister som spiller sanger fra Kino-gruppen, og slutter med profesjonelle med akademisk utdanning. En gatemusiker er en profesjonell. Han er sin egen regissør, produsent, regissør, arrangør, manager, forretningsmann som alle rulles sammen til en. À Brest, la scène de rue principale est la rue Sovetskaya. De nombreux musiciens différents s'y rassemblent constamment. À partir de guitaristes à moitié ivres jouant des chansons du groupe Kino, et se terminant par des professionnels ayant une formation académique. Un musicien de rue est un professionnel. Il est son propre réalisateur, producteur, réalisateur, arrangeur, manager, homme d'affaires tout en un. In Brest, the main street scene is Sovetskaya Street. Many different musicians are constantly gathering there. Starting from half-drunk guitarists playing songs of the Kino group, and ending with professionals with an academic education. A street musician is a professional. He is his own director, producer, director, arranger, manager, businessman all rolled into one.
