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Song: Live With Me Artist: The Rolling Stones Album: Let It Bleed (1969). This version is from Live at The Marquee, 1971. Copyright © Decca/ABKCO Along with “Honky Tonk Women,“ this was one of two songs new guitarist Mick Taylor, who replaced original member Brian Jones, played on Let It Bleed, released in November 1969. He and Keith Richards produced a distinctive 2 lead guitar sound. This also marked the first appearance of Bobby Keys, who played sax on this and many other Stones songs. He had toured in the past with Buddy Holly and Bobby Vee, and went on the road with The Stones from 1969-1974. Keith Richards and Bobby Keys became very close friends, and they were born on the same day: December 18, 1943 [Verse 1] I got nasty habits I take tea at three Yes, and the meat I eat for dinner It must be hung up for a week My best friend, he shoots water rats And feeds them to his geese Don't you think there's a place for you In between the sheets? [Chorus] Come on now, honey We can build a home for three Come on now, honey Don't you want to live with me? [Verse 2] And there's a score of harebrained children They're all locked in the nursery They got earphone heads, they got dirty necks They're so 20th century Well they queue up for the bathroom Around about 7:35 Don't you think we need a woman's touch To make it come alive? [Chorus] You'd look good Pram-pushing down the high street Come on now, honey Don't you want to live with me? [Verse 3] Whoa, the servants they're so helpful, dear The cook she is a whore Yes, the butler has a place for her Behind the pantry door The maid, she's French, she's got no sense She's from the Crazy Horse And when she strips, the chauffeur flips The footman's eyes get crossed [Outro] Dont you think there's a place for us Right across the street Don'cha think there's a place for you In between the sheets? Copyright Disclaimer: All audio and video segments remain the property of the original artists and publishing companies. The channel author derives no income or unjust enrichment from the presentation of this video and does not use AdSense or other partner monetization schemes. I’m making such material available in an effort to advance understanding of the music. I believe this constitutes a fair use of any such copyrighted material as provided for in title 17&107 of the United States Code. In accordance with the above Copyright Acts, the material on this site is distributed without profit to those who have expressed interest in receiving the included information for research and educational purposes.
