Guest
Afrobeats (not to be confused with Afrobeat or Afroswing) or Afro-Pop or Afro-Fusion (or Afropop or Afrofusion) is a general term used to describe the popular music of West Africa and the diaspora in which it originally developed Nigeria. Ghana and Britain in the decades 2000 and 2010. Afrobeats is less a style in itself and more a description of the merging of sounds flowing from Ghana and Nigeria. Genres such as hip life, jùjú music, high life and naija beats fused under the umbrella of “Afrobeats” in. Afro Pop Music is mainly produced in Lagos, Accra and London. Historian and cultural critic Paul Gilroy reflects on London's changing music scene as a result of demographic change. In his earlier book The Black Atlantic, Gilroy rejects the notion that black culture and music could be tied to a geographic region. Afro Pop Music are definitely an example of this syncretism as a transnational genre that is now going international. David Drake writes particularly about Nigerian popular music, not
