A well-known crumhorn consort piece, recorded one octave higher as an intonation test of my three-key sopranino crumhorn in F. With the extended range, I was able to play the top three lines on sopranino (losing only a few low D's in the third line), with an alto crumhorn covering the bass. I'm excited about the progress demonstrated here, though I think I can refine the tonehole sizes a bit for better results.
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