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🎯 Загружено автоматически через бота: 🚫 Оригинал видео: 📺 Данное видео принадлежит каналу «Stash Magazine» (@StashMagazine). Оно представлено в нашем сообществе исключительно в информационных, научных, образовательных или культурных целях. Наше сообщество не утверждает никаких прав на данное видео. Пожалуйста, поддержите автора, посетив его оригинальный канал. ✉️ Если у вас есть претензии к авторским правам на данное видео, пожалуйста, свяжитесь с нами по почте support@, и мы немедленно удалим его. 📃 Оригинальное описание: The original films, music videos and motion design you see on STASH, took a long time to produce by some of the world’s top creative minds. Show your appreciation to them, by “liking“ it and sharing it on your social networks. Thanks! Stay in touch and subscribe at (pointman Re-edit) Music Video Director: JOHN NOLAN Production: STREETLIGHT FILMS When not toiling on blockbuster feature films (“Harry Potter“, “Where The Wild Things Are“) or high-end music projects (Chris Cunningham, Lady Gaga), animatronic uber-master John Nolan indulges his craft in more personal projects: like his spec/spoof “Nolan’s Cheddar“ spot featured in Stash 66. This new short for an UNKLE-initiated exhibition at London gallery Haunch of Venison takes it all a bit further turning the Pointman character from the first UNKLE albums into a working robot. John Nolan: “I wanted to get in touch with UNKLE after seeing them at Fabric where they projected animated drawings of Futura’s robot/aliens. I knew that I could recreate something similar to the animations but with animatronics and practical effects. “I contacted James Lavelle through a friend of a friend and sent him my animatronics show reel; he invited me to his studio in London to talk about a project he was putting together. They were not looking to shoot any promos, but James asked if I wanted to shoot something for the Daydreaming exhibition. There was no budget involved at all, but it was an opportunity to work together where I would produce a film and UNKLE would create a track. “I designed the animatronic based on human anatomy with every joint and pivot point replicating that of a real person. The robot was made from hand-machined anodized aluminum, 28 motors and sculpted, formed plastic. Building an animatronic of this scale and complexity there are issues with weight, gravity, torque, speed, but the biggest challenge with creating a robot with this amount of motors is control. We have to move every motor at once to create the perfect performance but I wanted to avoid five puppeteers on set trying to coordinate their movements with each other. “The track is short but aggressive and energetic. I wanted the performance of the robot to have this aggression and energy with a marching stomp towards camera. This could only be achieved with the use of an audio timeline-based control system. I used creature performer Josh Head who programmed every move of the robot in time with the track using midi. We were able to see the track at the top of the screen as a waveform and underneath the movements of the robot. We could change the movements under the track live on set but keeping the robot and audio in total sync.“ Commissioner: James Lavelle and Haunch of Venison For Streetlight Films Director: John Nolan Producer: Ebony Maitland DoP: Chris Sabogal Animatronic FX: John Nolan Additional sound: Daniel Nolan Editor: John Nolan Post: Prime Focus London MV representation: Debs@ Follow us on: Google : And our affiliate social networks: Twitter: Facebook
