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In Rossiniana, Respighi repaints Rossini's occasional pieces in broader strokes, sometimes tapping into unsuspected expressive depths. Thus, poignant harmonic turns give the opening Capri e Taormina movement a reflective cast. The following Lamento begins with tragic breadth, veers into an ill-matched contest between a simple reed melody and punctuating full brass chords, and concludes with a long-limbed lyric theme unfolding over gently pulsing winds. In the other two movements - a graceful waltz, and a rousing tarantella framing a central chorale - Rossini's familiar quirky lightness is more readily recognizable. Read more: #ixzz69j1Jxe9q
