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The Panasonic LUMIX GH7 is a video centric juggernaut of a camera - but can a Micro Four Thirds sensor still cut it in 2024? does the addition of Pro Res RAW and the ARRI Log C3 profile make a difference? Let's find out! The majority of footage in this video was shot at ISO 500 with the Panasonic Leica 10-25mm f/1.8 lens. 🎵 Get 70% off an Audiio Pro Plan (first year) with code: Prosser70 Sign up here: The majority of this was graded using Tom Bolle's CINEPRINT35 powergrade, check it out! Buy the GH7 UK - US - DE - Panasonic LEICA 10-25mm f/1.8 lens UK - US - DE - AFFORDABLE CF EXPRESS CARD (for Pro Res RAW) UK - US - DE - LUMIX S5 ii UK - US - DE - 😎 BUY the LUMIX S 18mm lens!!😎 UK - US - DE - My fav editing SSDs UK - US - Follow me on IG: Threads: @prossered Portfolio: Purchase Phantom LUTS - GET 15% off with code “prosser“ Some of these are affiliate links so I make a small commission when you buy from these links - no extra cost to you! CHAPTERS 00:00 - Intro 00:43 - My history with Micro Four Thirds cameras 01:46 - Panasonic LUMIX GH7 form factor and features 03:22 - Recording formats and framerates 04:26 - Pro Res RAW in the GH7 06:31 - 120fps in 4k 10bit is gorgeous! 07:34 - Dynamic range on the GH7 10:18 - ARRI Log C profile on the GH7 13:23 - Awesome IBIS on the GH7 16:07 - Autofocus improvements on the GH7 17:44 - Rolling shutter performance on the GH7 18:40 - Does sensor size really matter in 2024? 21:50 - Final thoughts on the GH7 and what it hints about the next flagship camera #lumix
