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““An Sylvia“, D 891; Op. 106, No. 4, is a Lied for voice and piano composed by Franz Schubert in 1826 and published in 1828. Its text is a German translation by Eduard von Bauernfeld of “Who is Silvia?“ from act 4, scene 2, of The Two Gentlemen of Verona by William Shakespeare. “An Sylvia“ was composed during a peak in Schubert's career around the time he was writing the Ninth Symphony “Great“ (D 944), two years before his death. Although considered to be myth, it is said that Schubert first came up with the idea to write “An Sylvia“ as he was walking in Vienna and entered a beer garden with friends. There, he found a volume of Shakespeare on a table and as he was reading, he apparently exclaimed, “Oh! I have such a pretty melody running in my head. If only I had some paper!“ His friend drew staves on the back of a menu, and, as it came to his head, Schubert spontaneously wrote melodies to the words he was reading in the play. The handwritten score was originally entitled “Gesang“ and appeared within a small booklet labeled Währing, July 1826 (Währing was a town outside of Vienna where Schubert stayed with his friend Franz von Schober). The score had no tempo markings and served as Schubert's only draft of “An Sylvia“ which allowed him to write additional notes in the score over time as ideas came to him. In addition, the title “Gesang“ was crossed out and instead “An Sylvia“ was written in its place. “An Sylvia“ became one of three Shakespeare texts set to music by Schubert; the other two are “Ständchen“ (“Hark, hark! the lark“) and “Trinklied“ (“Bacchus, feister Fürst des Weins“, D 888). Schubert's friend, Franz von Schober, kept the original manuscript and managed Schubert's music after the composer's death. After the Lithographic Institute of Vienna published “An Sylvia“ in 1828, Schober published it himself shortly after. In 1829, “An Sylvia“ was assigned opus number 106 after Anton Diabelli published the work. “An Sylvia“ is written in the key of A major with a time signature of alla breve. A four-bar introduction by the piano is followed by 25 bars, a strophic form identical for each stanza. The song is in bar form, which follows a pattern of A–A'–B: a main melody, or Stollen in German, followed by an ending melody known as the Abgesang. The majority of the piece stays in close proximity to the tonic and is generally simplistic in form. However, the second phrase of the Stollen (A') is the only phrase that passes through the third scale degree and demonstrates Schubert's ability to bring out emotional qualities through unexpected changes in the harmonization. In addition, the B section is the only phrase to cadence on the tonic. Other key features of “An Sylvia“ include an echo on the piano at the ends of phrases, ascending figures in the piano accompaniment's bass, and a separate melodic figure in the piano's top (treble) staff at the end of the B phrase. All of these characteristics demonstrate Schubert's emphasis on interdependency between the melody and the accompaniment. “ - Wikipedia 2020 Performed by Ian Bostridge (Tenor) and Julius Drake (Piano) The original Shakespeare: Who is Silvia? what is she, That all our swains commend her? Holy, fair, and wise is she; The heaven such grace did lend her, That she might admirèd be. Is she kind as she is fair? For beauty lives with kindness. Love doth to her eyes repair, To help him of his blindness; And, being helped, inhabits there. Then to Silvia let us sing, That Silvia is excelling; She excels each mortal thing Upon the dull earth dwelling; To her let us garlands bring
