Guest
“Bill Brown’s a at the supposed crash of a flying saucer near Roswell, New Mexico in 1947, an ’event’ UFO types cite to this day as evidence of a massive government cover-up. to take the event seriously. He wonders what the craft was doing in Roswell of all places, speculating that it was piloted by a ’star through the cosmos’ who ’got lost and lost control.’ But Brown also sees his subject playfully, as if through a child’s eyes— objects suggest others, nothing has a stable meaning... The fish-eye lens used for some landscape shots curves the horizon line, making the sky seem enclosed— navigable, traversable. In the film’s strongest image, Brown stands facing the camera with a sheaf of papers in hand, as an animated drawing of a spaceship scoots across the paper, suggesting a connection between UFO fantasies and the magical possibilities of cinema.“ -Fred Camper, Chicago Reader
