Violinist Fritz Kreisler was one of the most beloved and best known of early recording era musicians. His burnished tone and patrician phrasing were quintessentially Viennese, and the warmth of his playing won him devoted followers wherever he appeared. So great was his fame and the affection in which he was held that he survived a blaze of controversy when he revealed in 1935 that many of the short pieces he had performed as transcriptions of such composers as Couperin, Vivaldi, and Pugnani were, in fact, his own work. While the critics fumed, the public expressed little concern and continued to pack his concert appearances. Kreisler was the son of a famous surgeon, a good amateur musician who gave young Fritz his first violin lessons. Kreisler made his public debut at seven in a collection of short works. Shortly thereafter, he was permitted to enter the Vienna Conservatory despite a policy that no one younger than 14 be accepted. After three years of study with Joseph Hellmesberger, he was awarded a
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