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Download the Pro Tools session & audio files for “In The Room“ In a small isolation booth at Studio 606, Grammy-winning Drummer/Producer Trevor Lawrence Jr. and 6x Grammy-winning Engineer/Producer Alex Pasco explore unconventional drum treatments, sounds, and processing. Microphones Used: Kick In - LS-208 Kick Out - Clarion FC-357 Kick Sub - NS10 Woofer Snare Top & Bottom - Snare Mic Snom - LS-308 Toms - LA-220 V2 Hi-Hat - LS-208 Poke - LS-208 Clap Stack - Snare Mic Mono Overhead - Eden LT-386 Stereo Overheads - LA-220 Stereo Room - Atlantis FC-387 Alex Pasco Processing: “The drum tracks were mixed with a little bit of SSL 4000 G EQ and some light gating on the snares and toms using Sonnox's Oxford Drum Gate. Kicks and snares were run to a parallel DBX 160 compressor for added punch. Kicks, snares, and toms were run to a parallel Empirical Labs Fatso, while kicks, snares, toms, clap stack, and overheads were run to a parallel Overstayer Saturator NT-02A for some added glue. I reigned in the dynamics of the toms with a pair of UA 1176's, a Manley Vari-Mu Compressor on the Overheads, and finished things off with Oeksound Soothe2 to take care of any harshness from the cymbals through the parallel processors.“ - Alex Pasco Special thank you to Trevor Lawrence Jr., Alex Pasco, and the amazing team at Studio 606. 00:00 - 01:32 Getting Sounds & Jokes 01:32 - 03:49 Listening Back to Take 1 03:49 - 07:48 Working with Dr. Dre 07:48 - 10:56 The “Super Bowl LVI“ Drum Kit 10:56 - 11:35 The Drummer x Engineer Relationship 11:35 - 12:54 The Pedalboard is an Instrument 12:54 - 15:46 Authenticity, Songwriting, and Collaboration 15:46 - 17:51 Bonus Footage Learn more about Lauten Audio
