This is an excerpt. The original length of this composition is 12m15s. The title alludes to phases where sound is undergoing a process of molecular milling, fragmenting into its most primitive constituents, not unlike the ‘catabolic processes’ Rudolf Arnheim described in his essay Entropy and Art. Arnheim argued that all aesthetic or functional objects are results of the opposing ‘anabolic tendency’ — a universal force of shape-building, instilling in all objects a structural theme. In Catabolisms, an an
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