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“It was like watching an Indian classical answer to Eric Clapton and Ginger Baker crashing through their favourite Robert Johnson covers at the Cream revival earlier this month. Amjad Ali Khan may be a master of the sarod rather than the guitar,but once he had built up to the crescendo of his solo set - improvising furiously around the melody line with repeated, rapid-fire playing and then letting his equally frantic tabla player take over - it was easy to see why great Indian music can be as exciting as classic blues and rock.“ The Guardian, London 2005 “Amjad Ali Khan is the master of the Sarod. Smaller than a sitar, it has 19 strings. Accompanied by his two sons, Amaan Ali Khan and Ayaan Ali Khan, on similar instruments, they created a 57-string three-man symphony orchestra.“ The Times, London 2001 “'Imagine a violin virtuoso like Itzhak Perlman also being a direct descendant of Stradivarius, and you can come close to the stature of Indian Sarod master Amjad Ali Khan. Khan is a spiritual, expressive musician, a technically brilliant and inventive player....“ The Inquirer, 2000 “Amjad Ali Khan, who, for many, is god-like in his dramatic powers on the Sarod, delivered his music with the emotional voltage of the blues, and a flexible instrument line that was almost vocal in its expressiveness.......“ The Herald, UK (Edinburgh Festival, 2002
