Guest
Although he was a younger contemporary and colleague of Beethoven, Giuliani followed the more strictly classical principles of Mozart and Haydn. This is illustrated perfectly in his Grand Overture, which consists of a brief, slow, minor-mode introduction followed by a fully developed major-mode sonata-allegro structure. Giuliani himself was a guitar virtuoso, so this piece requires great facility and invites imaginative coloring from the player. The introduction is quite simple; a gently throbbing ostinato bass note underlies brief passages that initially cascade downward and then rise expectantly. The movement's main matter is built upon good-natured, even bumptious, music that relies heavily on fast passagework and burbling tunes, with some sly partial scales and a couple of crescendos tossed in for humorous effect. Indeed, if this were orchestrated it would be indistinguishable from an opera overture by Giuliani's idol, Rossini. Sunday, May 23, 2010 Kulas Hall Jason Vieaux G
