Guest
Episode #115: Doris Salcedo discusses her installation for the Istanbul Biennial, describing how she wanted to create a “topography of war“ that would transcend the specificity of historical events. Doris Salcedo’s understated sculptures and installations embody the silenced lives of the marginalized, from individual victims of violence to the disempowered of the Third World. Although elegiac in tone, her works are not memorials: Salcedo concretizes absence, oppression, and the gap between the disempowered
