Guest
One of the great things about Christian Blackshaw's series of Mozart sonatas at Wigmore Hall was the sheer loveliness of the sound he conjured from the Steinway. It was perfectly clear, yet with a radiance and technical finesse that truly betrays his relatively new found career. Blackshaw is the so called “new yet experienced“ kid on the block. As a relatively unknown British pianist in his sixties, his performances here displays Mozart with a sense of Ivan Moravec, poetry like Sergio Fiorentino and subtl
