How Bardo Turns Collapsing Into Choreography | Anatomy of a Scene

In one of the many ambitious scenes from “Bardo, False Chronicle of a Handful of Truths” (streaming on Netflix), the lead character, Silverio Gama (Daniel Giménez Cacho), comes across a woman who has collapsed on a Mexico City sidewalk. Most passers-by don’t seem to notice her. When someone asks if she is dead, she replies, “I’m not dead. I’m missing.” Soon after, other individuals, one by one, begin collapsing on the sidewalk and in the streets. By the end of this fever dream of a sequence, hundreds of people are on the ground. Narrating the moment, the director Alejandro G. Iñárritu said he wanted to call attention to the thousands of Mexicans who have gone missing over the last decade. He said the scene required 300 extras along with 20 dancers who, guided by the choreography of Priscila Hernández, fell in a precise way that seemed like a dangerous collapse. Read the New York Times review here: Subscribe: More from The New York Ti