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Description of the first part “Pulp“ In a closed space, engulfed in an ominous twilight, we are confronted by the image of a girl whose lack of invisible innocence becomes the central element of her tormented action. Her hands, involuntarily submitting to a cold-blooded fate, lead a new knife, which, like a metaphorical irony, is unable to fulfill its main function. Each movement of the knife is an exquisite distorted choreography in which precision and sharpness remain only symbols of a missed opportunity. Lemon, this fruit, as a metaphor for life energy, undergoes a brutal decomposition, as if releasing from itself the juices of not only the fruit pulp, but also the philosophical juices of human existence. Here, in this ongoing process, lies a philosophical dilemma: what was once whole is transformed into a vestigial form, losing its essence, just as a person loses part of his identity in the process of self-destruction. The girl, as a messenger of metaphysical destruction, cuts off the last fragment of the lemon, where it was attached to its root base, as if tearing herself away from existence itself. And so, the culmination of this dark ritual is the sharp sound of the clock, an echo of inevitability piercing the silence. This final chord, like a meaningful reminder of time, cuts off the last illusions and leads the viewer into the abyss of reflection on the cyclicality and finiteness of existence. In this arthouse scene, every action is a metaphor for struggle and fall, every sound is a symbol of inevitability, and every movement is the irony of the human desire for perfection in a world where it is unattainable. Description of the second part “Sun“ In the second part of the film, called “Sun“, we encounter a conceptual statement in which the simple becomes profound and multi-layered. The central figure is a girl, whose presence, devoid of direct emotional expression, becomes a kind of philosophical abstraction, demonstrating fragments of the previous act to the viewer. Against the backdrop of the dawn light penetrating through the windows, she carefully brings to the foreground a lemon, mutilated by a blunt knife, and a nut lying nearby. These objects become living symbols that carry not only physical but also metaphysical significance. The lemon, as a result of the violence of a blunt instrument, represents a glassy look at the imperfection of human activity and the roughness of everyday existence. Its pulp, scattered over the surface, reminds us of the cracks that inevitably appear in the process of trying to achieve wholeness. It is a fleeting testimony to how the attempt to cut, excise and destroy ultimately leaves behind traces of failure and frustration. The nut lying nearby becomes a philosophical counterpoint – a symbol of untapped potentiality and inner complexity. Its impenetrable shell in the context of this scene reminds us that beneath the outer covering there is something unknown, something that remains in the shadows and unattainable. Here, in this composition, the nut serves as a metaphor for those dark and complex corners of the human mind that remain unsolved and inaccessible, despite their apparent simplicity. These objects, prosaic and ordinary in their own way, become an allegory for the human search for meaning, the struggle with one’s own limitations and the desire for understanding in a world where absolute answers slip away like sunlight through clouds. At this moment, the viewer becomes a witness to a philosophical reflection on the boundaries of understanding and the concept of being, in which every movement, every combination of elements is an act of endless and inevitable interpretation.
