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The building is introduced as a being approaching incarnation. It is composed in resonance with threefold man. The leitmotif of the arch serves as a first example of the genesis of shapes. With an aside on the Anthroposophical impulse in jewelry-making. This presentation is part of a series: 1 The Project 2 The Seven Capitals 3 The Bases 4 The Architraves 5 The Twelve Columns 6 The Statue 7 The Windows 8 The Western Dome 9 The Eastern Dome 10 The Second Goetheanum Other topics: Rembrandt, Polish Rider, Karl Stahl, Karl Stockmeyer, Malsch, Friedrich Husemann Klinik Wiesneck, Dornach, Hermann Ranzenberger, Kleinodienkunst, Gugelhupftopf
