On her debut album Grounded, aircode pulls focus on the microscopic ecologies of moss plants to illuminate the often chaotic biological systems that permeate everyday life. Corralling guitar, piano, voice, skittering percussion and cavernous low-end into richy textural, deeply evocative tracks, the producer navigates an esoteric path through recogniseable sounds. ‘Spores,’ a sinister highlight from the record, sets foreboding squalls of noise against creeping horrorshow keys and ritualistic percussive clanks, constantly flirting with the sinister suggestion that something ancient and sprawling lurks just beneath the surface. “I thought the way mosses, their life cycles and ecosystems informed and transpired into Julia’s music was a perfect example of how the language of biology is more often awe-inspiring than sterile, creating ripples and suggestions in everything it touches,” explains director Federico Barni, who teamed up with the South London Botanical Institute to create an atmospheric visual to a
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