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Radamés Gnattali (1906 – 1988) was a Brazilian composer of both classical and popular music, as well as a conductor, orchestrator, and arranger. Gnattali's musical career straddled popular and classical genres and their traditions. His arrangements of samba pieces, involving strings, woodwind and brass (rather than the traditional accompaniments with two guitars, cavaquinho, accordion, tamborin and flute) exposed him to lifelong critical attacks from Brazilian musical traditionalists who resented the “jazzing up“ of the genre. By the 1930s he was composing concert music in a Neo-Romantic style also incorporating jazz and traditional Brazilian strains. Over the decades, the emphasis Gnattali placed on these components shifted towards jazz in the early 1950s and back towards the Brazilian popular styles by the start of the 1960s. He composed several major guitar scores, including three solo concertos and three duo concertos. 0:00 I. Pixinguinha (Choro) 4:53 II. Ernesto
