Guest
Support me on Patreon: Buy Prints: Merch: Music By David A Molina via The Musicbed: ------------------------------- This series started off back in 2016 and it's hard to believe it's now the fifth film. Time sure flies when you are on the road chasing! Each film seems to have its own character, own style or just a vibe that resonates throughout. Not sure how to explain that or if it makes sense, but it's the feeling I get when I go back to watch them on occasion. Vorticity 5 took two years to film. Tens of thousands of miles across the central United States, from Montana to the Texas/Mexico border. A few hundred thousand shutter clicks. Loads of McDonalds, Subway and Allsups. The most epic, cheap motels. And countless, stunning storms. This is the first time for any movie of mine where I have tornadoes AND haboobs make appearances. The haboob (dust storm) happened in May of 2022 in southwest Kansas. It was amazing and unexpected. Of all the clips that make up this film, I'm the most proud of that one. It was like my world of chasing in Arizona finally collided with the universe of supercells and tornadoes on the plains. I hope you enjoy this film. The colors, the storms, the lightning, the twisters and the dust. It's everything I love, everything I am continually awestruck by no matter how long I do this. Thank you to my workshop guests, commercial clients and friends for helping make this possible. To my Patreon supporters for loving my work and being a part of making it happen. Thanks to Nat Geo, Canon and Keith Ladzinski for trusting me with the project we filmed together this past spring. I was honored and stoked at everything we saw. Thanks to one of my best friends Brett Wright on his support and help as always. It's been a tough year in our family, but we're coming through. I know being away this spring at one point for three and a half weeks because of tours and a Nat Geo/Canon was hard. Incredibly challenging. To not be home, to not be there to help, was brutal. Thank you to Jina for being my partner and the best mom on the planet. We're always better together than apart. As always, I strive for the best when I make these films. I'm incredibly proud of this one. My confidence in my own forecasting has continued to grow the last two years and I'm thoroughly thrilled with the storms I was able to photograph. I work relentlessly at positioning, timing and capturing. Knowing when to bail on a storm, when to jump on another, and when to take risks. A few chases in this movie were days I took a chance on secondary targets and ended up seeing tornadoes. There were also days I chose the wrong storm. It's part of chasing. And I'm learning to better weather those ups and downs (pun intended). I hope you enjoy this film! The soundtrack is fantastic, the work of David A. Molina and his Dream Man soundtrack over on The Musicbed. I used portions of three songs to create one long track and I'm thrilled with the outcome. The footage was photographed entirely on Canon 5DSRs and various Canon lenses. Edited in Lightroom/LR Timelapse, rendered in After Effects and finished in Premiere Pro.
