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New video, but not a new game! Lizzie and her cute little rabbit are back in my analysis of Inmost's soundtrack, composed by Alexey Nechaev ('Unbound: Worlds Apart' & 'Time Loader'). How do the leitmotif and the counterpoint translate the inability to express things in the game? What is each character's musical material? How do they connect at the end of the game? Let's explore all of this! ▶️ If you enjoy this video, my Inmost playlist is here: #Inmost, #InmostTheGame, #HiddenLayerGames, #Chucklefish, #videogameisart __________________ 📔 I NEED A PLAN! 00:00 Introduction 01:09 Main musical material 11:14 Lizzie's musical elements | Escape 17:28 Lizzie's musical elements | Hide & seek 20:26 Lizzie's musical elements | Tea party 22:56 Lizzie's musical elements | Where are the children? 25:38 The knight's musical elements | Oath 31:05 The knight's musical elements | And his own heart blackened 36:44 The knight's musical elements | The Keeper 41:23 Adam's musical elements | Piano rambling 45:02 Adam's musical elements | Time passed 49:54 Adam's musical elements | A tale about pain 51:38 Adam's musical elements | Ssstoryteller & Mines 53:58 Adam's musical elements | The castle / the dungeon 55:34 Adam's musical elements | A storm is coming 57:03 Three characters for one story 01:02:53 Remember those who are gone & A tale about love 01:05:28 Credits ❣️ Thank you for watching! __________________ 🎥 OTHER LINKS/CREDITS ▶️ Alexey Nechaev's bandcamp: ▶️ Alkis Livathinos's bandcamp: __________________ 💙 SOCIAL MEDIA I'm on social media. Not much, but, hey, at least I have Twitter: Anything else is, well, not me, that's for sure! (Yup, I still haven't changed this sentence) __________________ 🖋 ATTRIBUTIONS ▶️ The icon used for my channel logo is made by Smashicons () from Flaticon ()
