Ami Yoshida and Utah Kawasaki are the tail end of a generation of experimental musicians that defined the minimalistic “onkyo“ movement out of Tokyo since the mid 90's. Through numerous collaborations they both established an unique instrumentalism early on in their careers; Yoshida's faint but electric “howling“ voice and Kawasa ...ki's ever-evolving analog synth structures. Today they continue to be influential in Tokyo's subculture scene not only through their musical activities but also through writings
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