In Ohad Naharin's YAG, Batsheva's first production adapted especially for the screen, Naharin uses cinematic language to communicate his work both as director and choreographer. The disappearance of the stage, now replaced by the cinematic frame, creates a direct encounter with the dancers. Video artist Roee Shalti, who regularly films Batsheva, filmed and edited the piece with Naharin. The bare space, using the same lighting throughout, is the setting for refined movement. YAG was filmed during October 202
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