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Antonín Dvořák (1841-1904) - Symphonies Nos.7,8,9 by Constantin Silvestri 🎧 Qobuz Tidal 🎧 Amazon Music Deezer 🎧 Spotify Youtube Music 🎧 Apple Music — SoundCloud 🎧 Naspter, Pandora, Anghami, QQ音乐, LineMusic日本, Awa日本... Click to activate the English subtitles for the presentation (1:23:26-1:25:27) Symphony No.7 in D minor, * 00:00 I. Allegro maestoso 11:20 II. Poco adagio 22:28 III. Scherzo: Vivace 29:56 IV. Finale: Allegro Symphony No.8 in G Major, ** 38:52 I. Allegro con brio 48:12 II. Adagio 58:14 III. Allegretto grazioso - Coda: Molto vivace 1:04:24 IV. Allegro ma non troppo 1:14:10 Carnival Overture ** Symphony No.9 in E minor, ‘From the New World’ *** 1:23:26 I. Adagio - Allegro molto 1:32:22 II. Largo 1:46:00 III. Scherzo: Molto vivace 1:54:08 IV. Allegro con fuoco Wiener Philharmoniker * London Philharmonic Orchestra ** Orchestre National de la Radiodiffusion Française *** Conductor: Constantin Silvestri Recorded in 1957-60, at Vienna, London and Paris New mastering in 2021 by AB for CM//RR Painting: Max Švabinský (1873-1962) Chudý kraj / The Poor Country (1900) 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : When Constantin Silvestri died in a London hospital on 23 February 1969 at the tragically early age of 55, he had truly achieved an iconic status in the British seaside resort of Bournemouth, where in the eight years of his music directorship he had single-handedly transformed the Symphony Orchestra from a good but fundamentally locally known group into an internationally acclaimed ensemble of striking flexibility and virtuosity. At a time when, with the notable exception of Sir John Barbirolli's Hallé players in Manchester, orchestras in the British provinces were on the whole rightly or wrongly considered somewhat vin ordinaire, Silvestri's impact and influence in Bournemouth brought its orchestra a level of brilliance, sonority, charisma and discipline that was felt to be unprecedented in the town. Musicians, critics and audiences marvelled at the kaleidoscopic range of expressive colours, intense dynamic contrasts, virtuoso articulation, and — usually — outstanding precision of ensemble, all delivered within a perfectly integrated and immaculately tuned homogeneity. Silvestri had fanatically pursued these elements in his meticulously demanding rehearsals, but most significant of all was that for the audience they were the channel for interpretations of vivid imagination, white-hot temperament and deeply poetic artistry sometimes controversial but usually electrifying. He had created a very strong impression when he made his British debut conducting the London Philharmonic Orchestra, in Vienna, at the direction of the Wiener Philharmoniker and he had also made a great impact in Paris conducting the Orchestre National de France in concerts and an EMI Classics recording of Dvořák's Symphony No.9 ('From the New World'), which won the Charles Cros Academy first prize. Antonín Dvořák PLAYLIST (reference recordings):
