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If, a soprano wants to sing Luigi Cherubini’s Medea, she knows that she is facing a deadly role. At the time of this video, Adeilaida Negri in her entire vocal range, we can say: her high part sounds forced and she arrives tired. And the low notes sound weak without force, even in the theater it was inaudible. And as an actress she wasn’t good enough, and Medea needs a singer-actress, someone who strikes terror into the audience. Added to all that, a horrible Scenery Design, even where there are perspective errors (for example on the left wall). When she founded the Buenos Aires Opera House, she said it was to give new talents the opportunity to sing and be by her side, a terrible lie, because since she chose a Set Designer and a Costume designer, she never changed them again. , they were always the same. Like Eduardo Casullo, since they became more than friends, no one else performed a mise en scene again.
