For the Frosini lovers out there (which includes me), here's the most exciting arrangement on this piece you'll ever hear. He puts on a clinic for the accordionist who ventures into the realm of musical variations. Charles displays his enormous musical imagination with the use of a very busy second treble accompaniment using a most exquisite exhibition of diatonic as well as chromatic parallel thirds. Of course, he doesn't disappoint us & puts in a great bellows shake to cap it all off. His timing with the extra track is perfect. I tried double track recording only once & it the result sounded like a “bull in a china shop.“
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