The 10 Ton Hammer pulls no punches: all it wants to be is an 80's Metal pedal. And it sure delivers. The 10TH is an unabashed high-gain pedal so winding the gain back will only slightly reduce its lava spurting attack but probably just enough to call it a blues pedal. Of course, it WANTS to be at noon or above for all the whisky action. It's a lot of fun to put it mildly. Recording gear: Guitar : 2009 Ernie Ball Music Man Axis (stock) Amp: Palmer DREI (6L6 emphasis) and PCAB112 cab with Celestion Greenback Cables : Providence Mic : Violet Design 'The Amethyst' (amp) Samson Airline77 (me) Camera : Canon 60D (me) and Sony HDR CX150 (pedal) Soundcard : AVID Mbox Pro 3 Computer : Apple iMac 27“ i7 3.4 GHz 16 GB RAM Software : Pro Tools 10 LE, Waves CLA Guitars (slight comp and reverb over input track), Waves L3-16 Limiter (to keep levels in check at output), Apple Final Cut Pro X (video editing and Youtube compression).
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