Guest
The project originated from two novellas of . Rosny, the joint pseudonym of the Belgian brothers Boex who wrote on natural, prehistoric and speculative subjects—sci fi before it was a genre. The film takes up their pluralist vision of evolution, where imagining prehistory is inseparable from envisioning the future. Also central are Roger Caillois’ writing on stones, Robert Hazen’s theory of Mineral Evolution, Clarice Lispector’s Hour of the Star, the Symbiosis theory of Lynn Margulis, multi-species scenarios of Donna Haraway, Hazel Barton’s research on cave microbes and Marcia Bjørnerud’s thoughts on time literacy. In one way or another, these thinkers have all sought to displace humankind and human reason from the center of evolutionary processes. Passages from Rosny and interviews with Bjørnerud form the film’s science-fictional / science-factual spine. Stones are its anchor. To touch stone is to meet alien duration. We trust stone as archive, but we may as well write on water. In the end, it’s particles that remain.
