Olivier Pasquet talks about technical, artistic and historic processes around Machinations and Thinking Things in front of Ircam Cursus composers on December 13th 2021. He also quickly describes following steps and influences that separate ~20 years between the two pieces and the importance it had on other personal generative electronic music pieces setting a particular relation between music, theatre and theatre music. Thank you to Georges Aperghis and Pierre Jodlowsky!
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