When you create songs by Beethoven and Chopin code notation, we notice that many fractional code. Also, this song is a waltz, it is important that accent the second beat. The hardest part is rather cliche line in jazz is not available, I feel it became every eight bars over the flow of the code. Need to think a little more. May 8, 2011 Kuimonoya Ryo Takasaki, Gunma , Japan H Kohga(p)、Y Sakai(b)、Y Ito(d) ショパンやベートーベンの曲をコード譜で作成すると、意外に分数コードが多いことに気づきます。また、この曲はワルツですが、アクセントは第二拍にある
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