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🎵 Buy the MP3 album on the Halidon Music Store: 🎧 Listen to our playlist on Spotify: These recordings are available for sync licensing in web video productions, corporate videos, films, ads and music compilations. For further information and licensing please contact info@ 👉 The HalidonMusic Sync Licensing platform is now live at 📧 Subscribe to our newsletter and get a 20% discount on the Halidon Music Store: ☕ If you like what we do and would like to support us, you can now buy us a coffee: Donations will go towards keeping the YouTube channel going and funding new recording sessions with our amazing team of artists. Thank you! 🙏 Arcangelo Corelli Concerti Grossi, Op. 6 (Selection) Tracklist: Concerto Grosso No. 1 in D Major, Op. 6: 00:00 I. Largo 02:56 II. Allegro 06:33 III. Largo 10:30 IV. Allegro 12:20 V. Allegro Kiev Chamber Orchestra, Liviu Buiuc Concerto Grosso No. 9 in F Major, Op. 6: 14:40 I. Preludio. Largo 16:47 II. Allemanda. Allegro 19:42 III. Corrente. Vivace 21:36 IV. Gavotta. Allegro 22:41 V. Adagio 23:56 VI. Minuetto Kiev Chamber Orchestra, Liviu Buiuc Concerto Grosso No. 10 in C Major, Op. 6: 25:55 I. Preludio. Largo 28:37 II. Allemanda. Allegro 31:45 III. Adagio 33:02 IV. Corrente 35:38 V. Allegro 38:39 VI. Minuetto Kiev Chamber Orchestra, Liviu Buiuc Concerto Grosso No. 5 in B-flat Major, Op. 6: 40:35 I. Adagio - Allegro 43:40 II. Adagio 45:33 III. Allegro 47:47 IV. Largo 49:04 V. Allegro Budapest Scoring Symphonic Orchestra, Peter Illenyi Concerto Grosso No. 3 in C Minor, Op. 6: 51:20 I. Largo 53:44 II. Allegro - Adagio 55:58 III. Grave 57:19 IV. Vivace 59:55 V. Allegro Budapest Scoring Symphonic Orchestra, Peter Illenyi Concerto Grosso No. 8 in G Minor “Fatto per la Notte di Natale“ (Christmas Concerto), Op. 6 1:02:27 I. Vivace - Grave. Arcate, sostenuto e come stà 1:03:49 II. Allegro 1:06:23 III. Adagio - Allegro - Adagio 1:09:36 IV. Vivace 1:10:48 V. Allegro 1:13:03 VI. Largo. Pastorale ad libitum Budapest Scoring Symphonic Orchestra, Peter Illenyi Twelve concerti grossi, Op. 6, is a collection of twelve concerti written by Arcangelo Corelli probably in the 1680s but not prepared for publication until 1714. They are among the finest and first examples of concerti grossi: concertos for a concertino group (here a 1st violin, a 2nd violin and a cello) and a ripieno group of strings with continuo. Their publication – decades after their composition and after Italian composers had moved to favor the ritornello concerto form associated with Vivaldi – caused waves of concerto grosso writing in Germany and England, where in 1739 George Frideric Handel honored Corelli directly with his own “Opus 6“ collection of twelve. --- Arcangelo Corelli (17 February 1653 – 8 January 1713) was an Italian composer and violinist of the Baroque era. His music was key in the development of the modern genres of sonata and concerto, in establishing the preeminence of the violin, and as the first coalescing of modern tonality and functional harmony. He was trained in Bologna and Rome and spent most of his career there with the protection of wealthy patrons. Though his entire production is limited to just six published collections he achieved great fame and success throughout Europe, in the process crystallizing widely influential musical models. His writing was admired for its balance, refinement, sumptuous and original harmonies, the richness of the textures, the majestic effect of the theatricality and its clear, expressive and melodious polyphony. As a virtuoso violinist he was considered one of the greatest of his generation and contributed, thanks to the development of modern playing techniques and to his many disciples scattered throughout Europe, to place the violin among the most prestigious solo instruments and was also a significant figure in the evolution of the traditional orchestra. All rights reserved
