One year on from his first appearance on the PM series, Glasgow’s LWS returns with another two surefooted club cuts shot through with the emergent producer’s trademark flair and laser focus. Matching crisp functionality with dance-melting peaks, he’s zeroed in modernist machine music to incite a feverish response in the firmly established format of the PM releases. ‘Oop’ ratchets down its rhythm section in an instant, leaning on a hefty sub payload and sprinkling some lopsided spectral synth work up top. It’s the buzzing sawtooth bass which will really cast brains and bodies asunder though, gouging a path through the springy groove like a hyped raver making a beeline for front left dosed up on Irn-Bru. ‘Routine Supreme’ has its own share of fireworks to set off, maintaining the instinctive bounce of ‘Oop’ before derailing the circus train with staccato tech triplets to get gun fingers twitching manically. There’s space for pitch-sliding breakdowns and subtly euphoric peaks, but the rhythm section remains front and centre for maximum club capability. Road tested by the trustiest of turntable botherers, both these cuts come with a rave-wrecking guarantee, but that’s no surprise as LWS confirms his prime position in the liminal zone where house, techno and bass coalesce.
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