Guest
Shot in London, France, New York and Spain, The Looking Glass is a multilayered essay whose visual complexity parallels its subject: the meaning of reflections, illusions and mirrors in Western art, culture and life. In his analysis of the rich iconography of the mirror in painting, including Van Eyck’s Arnolfini wedding portrait, Holbein’s Ambassadors, and Velasquez’s Las Meninas, Downey reflects on the psychological tension in the relation of the artist, the subjects of the painting, and the viewer beyond. Exploring perceptions of pictorial space, he uses computer graphics to diagram art historian Leo Steinberg’s analysis of perspectival systems in Las Meninas, a painting Steinberg refers to as “a mirror of consciousness“ in which the “viewer partakes of an infinity that is psychological.“
