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► Subscribe: ► Sign up & join Discord: Stream/download the full album 'Yearning for the Infinite': Max Cooper: “I wanted to try and render the cold dark void of emptiness with this chapter, which meant some darkroom industrial sounds, and lots of power. I started by making binaural recordings of Antony Gormley sculptures, clanging them, scraping them, tapping them etc, with permission, and without damaging them of course! Some of the large sculptures in particular created these huge resonances as the metal surfaces bowed at their natural low frequency, it was a lot of fun to work with, and sounds pretty mad on a big system. For the video, rather than just going black screen, I thought a lo-fi approach could work, focused on simplicity, intensity and the use of parallax to create the appearance of distance with infinite vanishing points. Jessic
