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The Best of Schubert

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🎵 Buy the MP3 album on the Official Halidon Music Store: 🎧 Listen to our playlist on Spotify: These recordings are available for sync licensing in web video productions, corporate videos, films, ads and music compilations. For further information and licensing please contact info@ 👉 The HalidonMusic Sync Licensing platform is now live at 📧 Subscribe to our newsletter and get a 20% discount on the Halidon Music Store: ☕ If you like what we do and would like to support us, you can now buy us a coffee: Donations will go towards keeping the YouTube channel going and funding new recording sessions with our amazing team of artists. Thank you! 🙏 The Best of Schubert Tracklist: 0:00:00 Ave Maria, D. 839 * 0:04:59 Schwanengesang, D. 957: No. 4, Ständchen (Serenade) Metamorphose String Orchestra, Pavel Lyubomudrov * Violin: Yulia Stefanovich 0:09:09 Schwanengesang, D. 957: No. 4, Ständchen (Serenade) (Arr. for Piano by F. Liszt) 0:14:57 Four Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major, Andante Piano Sonata No. 13 in A Major, D. 664: 0:21:57 I. Allegro moderato 0:28:49 II. Andante 0:34:45 III. Allegro Vadim Chaimovich 0:40:36 2 Scherzos, D. 593: No. 1, Allegretto - Trio Luke Faulkner 0:46:23 6 Moments Musicaux, Op. 94: No. 3 in F Minor, Allegro moderato Four Impromptus, Op. 90, D. 899: 0:48:29 No. 1 in C Minor, Allegro molto moderato 0:58:15 No. 2 in E-Flat Major, Allegro 1:03:10 No. 4 in A-Flat Major, Allegretto Vadim Chaimovich Sonata for Arpeggione and Piano in A Minor, D. 821: 1:11:15 I. Allegro moderato 1:23:05 II. Adagio Ignacy Gaydamovich, Janusz Grzelązka 1:36:39 Piano Trio in B-Flat Major, D. 28 “Sonatensatz“ Trio in B-Flat Major, D. 898: 1:44:05 I. Allegro moderato 1:55:18 II. Andante un poco mosso Carlo Balzaretti, Carlo Parazzoli, Jakob Alexander Ludwig 2:04:21 Die schöne Müllerin, D. 795: No. 6, Der Neugierige (Arr. for Clarinet and Piano) 2:07:49 Die schöne Müllerin, D. 795: No. 2, Wohin? (Arr. for Clarinet and Piano) 2:10:33 Lob der Tränen, D. 711 (Arr. for Clarinet and Piano) 2:14:17 Gretchen am Spinnrade, D. 118 (Arr. for Clarinet and Piano) Luigi Magistrelli, Sumiko Hojo 2:18:01 Overture in C Minor, D. 8 Orchestra da Camera Fiorentina, Giuseppe Lanzetta 2:27:38 Erlkönig, D. 328 String Quartet No. 14 in D Minor, D. 810 “Death and the Maiden“ (Live) (Arr. by G. Mahler): 2:31:16 I. Allegro 2:42:48 II. Andante con moto 2:56:46 III. Scherzo. Allegro molto - Trio 3:01:01 IV. Presto - Prestissimo Metamorphose String Orchestra, Pavel Lyubomudrov Symphony No. 4 in C Minor, “Tragic“ (Live): 3:10:06 I. Adagio molto - Allegro vivace 3:20:22 II. Andante 3:33:22 III. Menuetto. Allegro vivace - Trio 3:36:33 IV. Allegro Symphony No. 8 in B Minor, D. 759 “Unfinished“ (Live): 3:44:05 I. Allegro moderato 3:55:02 II. Andante con moto Orchestra da Camera Fiorentina, Guseppe Lanzetta Symphony No. 9, D. 944 (Live): 4:04:43 I. Andante - Allegro, ma non troppo 4:22:57 II. Andante con moto 4:34:13 III. Scherzo. Allegro vivace 4:48:56 IV. Allegro vivace Orchestra Sinfonica dell’Università Cattolica di Milano, Simone Fermani Franz Peter Schubert (1797-1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. Born in the Himmelpfortgrund suburb of Vienna, Schubert showed uncommon gifts for music from an early age. In 1808 he became a pupil at the Stadtkonvikt school, where he became acquainted with the orchestral music of Haydn, Mozart, and Beethoven. He left the Stadtkonvikt at the end of 1813, and returned home to live with his father, where he began studying to become a schoolteacher. Despite this, he continued his studies in composition with Antonio Salieri and still composed prolifically. In 1821, Schubert was admitted to the Gesellschaft der Musikfreunde as a performing member, which helped establish his name among the Viennese citizenry. He gave a concert of his own works to critical acclaim in March 1828, the only time he did so in his career. He died eight months later at the age of 31. Appreciation of Schubert’s music while he was alive was limited to a relatively small circle of admirers, but interest in his work increased greatly in the decades following his death. Mendelssohn, Schumann, Liszt, Brahms and other 19th-century composers discovered and championed his works.

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