Guest
Rogue One’s gritty, war film aesthetic is a real departure for the Star Wars franchise, and this realism is born out in the sound design. We visited the iconic Skywalker Sound to talk to Supervising Sound Editors Christopher Scarabosio and Matthew Wood about world creation, making sci-fi weapons sound realistic, and how some unexpected sampling brought K-2SO — the film’s sardonic and loveable droid — to life! We also discover the secrets of Foley artist Ronni Brown and Foley Mixer Frank Aglieri-Rinella who
