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James Earl Jones (1987) vs Denzel Washington (2010) - Fences How come you ain't never liked me

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A Note on Fair Use: These juxtaposed scenes create a new work of art that is stimulating and enriching for the general public. It is for nonprofit educational purposes. It allows viewers to contemplate the infinite possibilities for staging Wilson's written language by exploring some possibilities of what that language sounds like and looks like on stage/screen. The conversations this new work of art allows cannot happen without it; the whole of this new work elicits an academic conversation that is otherwi

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