For some time now, the momentum of ABBA had meant less time for B&B to spend producing other artists. As such, this period does not contain any surprises. Another important change in this period was the opening of Polar's own recording studio which enabled B&B to get pickier about what they released. In my opinion there is a considerable jump in both musical and lyrical quality from the Arrival era to this one. Gone are the likes of songs such as... well I'm not here to hate. The quality in this period is so much more consistent and mature. The Andersson-Ulvaeus Chronology | Part 4 | 1977-1979 [89] Nashville Train / Please Change Your Mind (BA, BU) [90] ABBA / The Name Of The Game (BA, BU, Stig Anderson) [91] ABBA / Eagle (BA, BU) [92] ABBA / One Man, One Woman (BA, BU) [93] ABBA / Thank You For The Music (BA, BU); Thank You For The Music (Doris Day version) (BA, BU); Gracias Por La Música (BA, BU, Buddy & Mary McCluskey) [94] ABBA / I Wonder (Departure) (BA, BU, Stig Anderson) [95] ABBA / I'm A Marionette (BA, BU) [96] ABBA / Hole In Your Soul (BA, BU) [97] ABBA / Take A Chance On Me (BA, BU) [98] ABBA / Move On (BA, BU, Stig Anderson); Al Andar (BA, BU, Stig Anderson, Buddy & Mary McCluskey) [99] ABBA / Lovelight (BA, BU) [100] ABBA / Lovers (Live A Little Longer) (BA, BU) [101] ABBA / Summer Night City (BA, BU) [102] ABBA / The King Has Lost His Crown (BA, BU) [103] ABBA / Dream World (BA, BU) [104] ABBA / If It Wasn't For The Nights (BA, BU) [105] ABBA / Angeleyes (BA, BU) [106] ABBA / Chiquitita (BA, BU); Chiquitita [Spanish] (BA, BU, Buddy & Mary McCluskey) [107] ABBA / Voulez-Vous (BA, BU) [108] ABBA / Does Your Mother Know (BA, BU) [109] ABBA / Kisses Of Fire (BA, BU) [110] ABBA / As Good As New (BA, BU) [111] ABBA / I Have A Dream (BA, BU); Estoy Soñando (BA, BU, Buddy & Mary McCluskey) [112] ABBA and Stig Anderson / Sång till Görel (BA, BU, Stig Anderson) [113] ABBA / Gimme! Gimme! Gimme! (A Man After Midnight) (BA, BU); Dame! Dame! Dame! (BA, BU, Buddy & Mary McCluskey)
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