Pieter-Jan Belder’s reputation in Bach is securely established, with albums of all the major keyboard works to his credit. ‘You can’t really go wrong with this set’ of The Well-Tempered Clavier (BC93892) according to Fanfare magazine, who also praised Belder’s ongoing Brilliant Classics to record the complete Fitzwilliam Madrigal Book: ‘His playing is both skilful and nicely detailed. Each line is clear and unambiguous, so that the inner workings of the often complex works shines forth. In my opinion, this (and its companion volumes) will turn out to be the model against which all other recordings of the Fitzwilliam will be matched.’ Composer: Johann Sebastian Bach Artists: Pieter-Jan Belder (harpsichord) The term toccata stems from the early Baroque. In the hands of Girolamo Frescobaldi and Johann Jacob Froberger, it signified an extended piece that consisted of several contrapuntal sections that were headed by a brilliantly figured introduction, full of virtuoso flourishes. The primar
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