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Album: A Bag Full Freddie King cover, written by Leon Russell Lyrics: Help me through the day Help me through the night Darling your sweet loving Will make everything alright Help me through tomorrow When stormy weather comes And make me realize That you my woman I can see so much pain Deep inside your eyes I know someone has hurt you Some man has made you cry Baby don't confuse me Just try to understand And make me realize That you my woman Help me through the day Help me through the night Your sweet loving Will make everything alright Help me through tomorrow When stormy weather comes, lord And make me realize That you my woman That you my woman That you my woman That you my woman A lifelong Texan, Buddy Whittington 'entered the arena' on December 28, 1956, in Fort Worth, and became enamored of the electric guitar like countless kids of his vintage shortly thereafter, who were mesmerized at the reality that 'you plucked a string...'here', and the sound came out...'over THERE.' Though no other family members played an instrument, there was always music in the home, be it emanating from the TV on Saturday evenings ('Cowtown Jamboree' and Big 'D' Jamboree were locally produced live weekly shows featuring top name country artists of the day) AM radio also featured prominently, with KXOL, KFJZ, KLIF, KKDA, WBAP, WRR and KNOK providing a wide variety of sounds and styles to open and expand a young would-be musician's ears long before the advent of 'Underground' Album Rock Radio stations like KFAD and KNUS, KTXQ 'Q102' and KZEW 'The Zoo' 98 FM. Western Swing music also played a part, as Mr. and Mrs. Whittington were big fans of Bob Wills and the Texas Playboys. Probably the biggest influence in young Bud's musical makeup was the record collection of his big sister, encompassing everything from British Invasion bands to R&B hits of the day, Elvis, Buddy Holly, Beatles, Stones, The Who, The Yardbirds, John Mayall's Bluesbreakers to 'The Temps and The Tops', Gary 'U.S.' Bond, Jimmy Reed, and Slim Harpo. A succession of fledgling musical efforts with varying degrees of success ensued, culminating in an offer by John Mayall to join The Bluesbreakers in 1993. “The band I was in at the time, 'The Sidemen', had a good friend in Mr. Jerry Thompson, who these days is President of Promoterline Inc., but back then was managing the Dallas Alley complex, where he would book us as the opening act on any number of outdoor events and shows, and we were booked as the opener for a Bluesbreakers' show.... Mr. Mayall asked me for my contact info, we stayed loosely in touch for the next two years, and when then-Bluesbreakers guitarist Coco Montoya decided it was time to hit the highway on his own, I 'received the call' and appeared on countless Mayall shows and recordings worldwide for the 15 years between 1993 and 2008, at which time the existing Bluesbreakers were 'kicked out of the nest' and the band was reformed by Mayall.“ 🎧 Don’s Tunes is about the music. It’s about the sound. It’s about the real thing. My mission for over 10 years is to collaborate with & promote lesser known, but extremely talented blues & jazz artists and bring you a selection of tunes with an audiophile sound and real emotion. On my website you can read more about the artists featured on the channel: If you're an artist or label and want to me featured on the channel, Spotify and my website visit: & write me on don@ All copyrights belong to their respective owners. ▶️ Don's Tunes on Spotify ▶️ Don's Tunes on Facebook: ▶️ #Blues & #SlowBlues #BluesRock & Jazz Group: ▶️ Don's Tunes on Instagram: ▶️ Don's Tunes on Twitter:
