Why Brad Pitt is always eating onscreen, and how it adds to his characters. Timestamps: 0:00 Crunching The Numbers 1:08 1. Eat-Acting 2:28 2. Creating A Character 4:00 3. Eating Voyeurism Academic Sources Referenced: Calorie counting data from the wonderful LundgrensFrontKick on reddit: Emily Heil's Washington Post article explaining the human psychology behind Pitt's munching: A little more context from Jake Kilroy: Subscribe for more vids each week here: _______________________________________________________________________ Come say hi on my social media feeds: Instagram: Songs from Soundstripe: Youtube Content ID Code: ATTRIBUTIONS: This video contains copyrighted material from the feature films/TV shows listed below. I believe all content used falls under the remits of Fair Use (see below), but if any content owners would like to dispute this I will not hesitate to remove said content. It is not my intent in any way to infringe on their content ownership. Contact: sceneitmoviereviews@ Brad Pitt William Bradley Pitt Ocean's 11 Brad Pitt Eating Eating Movies Moneyball Meet Joe Black Interview With The Vampire Babylon Ad Astra Mr and Mrs Smith Angelina Jolie ________________________________________________________________________ FAIR USE DISCLAIMER: As the original material is transformative in nature, uses no more of the original than necessary, and has no negative effect on the market for the original work, the copyright material has been used in accordance with the Fair Use Copyright Disclaimer under section 107 of the Copyright Act (1976): Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. FAIR DEALING DISCLAIMER: This video constitutes “Fair Dealing“ and does not violate Australian copyright law. As outlined by the Australian Copyright Act of 1968, Division 3 Section 41: “A fair dealing with a literary, dramatic, musical or artistic work, or with an adaptation of a literary, dramatic or musical work, does not constitute an infringement of the copyright in the work if it is for the purpose of criticism or review, whether of that work or of another work, and a sufficient acknowledgment of the work is made.“ The video is transformative in nature, uses no more of the original than necessary and has no negative effect on the market for the original work.
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