Guest
Variations for piano, Op. 27 (1935-1936) I. Sehr mässig II. Sehr schnell (2:03) III. Ruhig fliessend (2:37) Charles Rosen, piano As “modern“ as it is in other respects, Webern's Variations for Piano, Op. 27 (1935-36), the composer's only important work for piano solo, is written in the tradition of the recital piece, and even provides the performer ample opportunity for virtuoso display. In just under five minutes, Webern presents a flurry of information, presented with new types of articulation and writing for the piano. There are no crescendo or diminuendo markings -- the dynamic contrasts are all stark juxtapositions of piano and forte passages. It seems Webern is exploring the Baroque-era characteristic of terraced dynamics. Webern's Variations for Piano, Op. 27 are constructed according to strict 12-tone procedures. The theme is really a collection of short groups of motives. These are altered in accordance with the combinatorial procedures of
