Boycotted and covertly censored by the producers and directors who formed part of the Commissione ministeriale, which decided on which short should accompany features in cinema programmes at the time, Essere Donne was a commission from the Communist-aligned production company Unitelefilm, who had approached a selection of left-wing filmmakers to investigate fully a collective social problem. The result is a series of interviews conducted by Mangini with women workers from the olive groves of Puglia to the factories of Milan. Often filmed as they work at home or at the factory, these women speak candidly about issues including abortion, housework, unionisation and boycotts. “As is always the case with works that constitute a powerful experience and discoveries of an existential nature, I remain very close to Essere donne. In this case, the experience was that of the factory, and within the factory the production line, the compartmentalisation, the short timescales, the confirmation of Gramsci’s teachings on Fordism. The discovery was that of the women ‘worked’ by the factory, of peasant work, of families, of their relationship to their hopeless situation, in the initial moment of their (and my) confused questioning of the need for change.“
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